Litemana

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Litemana

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    • Home
    • About
    • Litema
    • Essays
    • Collections
    • External Work
  • Home
  • About
  • Litema
  • Essays
  • Collections
  • External Work

About

Who I am

I am Lebo, a researcher, writer, initiate Litema practitioner and maker born in the Eastern Free State, and currently based in Cape Town.  I work with textiles, soil and words.


My work explores and rehearses being and being-in-the-world through the lens of Southern African indigenous knowledge systems, maternal legacies and materiality. Using a practice-led and embodied methodology, my practices in vernacular architecture, textile art and writing invite care, deep listening, and awareness. 


I am deeply moved by the process of making, whether for aesthetic or utilitarian purposes. I am drawn to the intangible, metaphysical aspects of created works.


 I have always wondered why some African aesthetics, artefacts, and visual languages are barely mentioned in art history books, despite being looted and appropriated, as if Africa, particularly Southern Africa, had no aesthetic sensibilities. I am greatly bothered by the minimal presence of maternal wisdom and matricultures, and the absence of grandmothers in contemporary cultural knowledge creation spaces. 


When I'm not working, I enjoy gardening, spending time with loved ones, and taking sunset walks on the beach. 


Textiles

"I'd learn the histories, and I'd find out more about the connection the material we can see has with the non-material world we cannot see" - Victoria Finlay

Material Culture and Art History

Delving into the precolonial and colonial contact history of aesthetics, utility and the process of making in Southern Africa.

depth and authenticity to each creation.

Design and Dressmaking

My design process begins with thorough research, often driven by a compelling concept or instinct that inspires me to sketch. I derive great satisfaction from the contemplative act of creation, wherein I transform fabric into a tactile and textured tapestry that ultimately evolves into a distinctive garment.


I emphasize minimal cutting techniques, which enhance the versatility of my designs. Many pieces are intentionally crafted to be unstitched, allowing the textile to be reinterpreted in various innovative ways. I predominantly utilize raw, unbleached cotton, which adds depth and authenticity to each creation.

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